Lewis and his blog is a content-focused blog of Chris Cappello, an obsessive music nerd from New Haven, Connecticut. He hosts the weekly radio show "Left of the Dial" on WNHU, and has worked with such Connecticut-based music institutions as The Needle Drop and Manic Productions.

Check here for album reviews, weekly radio playlists, daily .mp3 streams, obscure artist spotlights and whatever else comes to mind.

Get in contact with me by following me here on tumblr, or through any of my links below.

2011 Year End Lists:
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Thursday, February 23, 2012
[Flash 9 is required to listen to audio.]
"Dust Flesh And Bones" by Matt Elliott.

Matt Elliott - “Dust Flesh and Bones”

I know that I just posted a track from the new Matt Elliott album The Broken Man, but as I sat down to listen to the record again while writing up that post, I realized that I’d need to post another track as well. With a running time of over nine minutes, this one is much longer than the previous song I posted, but it’s worth every second of its length.

“Dust Flesh and Bones” is the best song on The Broken Man, and is in a number of ways the best singular representation of the album as a whole. The entire song is based around a droning, repetitive classical guitar riff, which sounds so beautiful and darkly resonant that it never grows boring. In addition to supplying his deep and distinctly brooding British-accented vocals, Elliott bolsters the song with yearning strings and eerie, choir-like backing vocals. He controls the music with his emotive guitar picking, manipulating the song’s tempo on a whim to create a disorienting sense of urgency about the piece. As the choir swells behind him, Elliott brings the track to a deeply moving climax as he turns the song’s title into a fitting mantra: “This is how it feels to be alone / dust, flesh, and bones”

Matt Elliott’s new record hits pretty close to home for me, and “Dust Flesh and Bones” is no exception. I’ve been listening to it at night before I go to bed, and it always keeps me up. That’s the mark of a truly poignant songwriter, as far as I’m concerned. 

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