Lewis and his Blog January 2013 Mix
Congratulations! You made it through the first month of 2013. Give yourself a pat on the back. You deserve it. Honestly, we both do. In celebration of your success at surviving this cruel and confusing world, give a listen to my first Monthly Mix of 2013. If you’re unfamiliar with my monthly mix series, the concept is fairly self-explanatory; every month, I publish a 10 track mix via 8tracks, featuring some of my favorite new music that I heard that month. You can find all of my monthly mixes HERE, at my “Monthly Mix” tag.
This month’s mix features tracks that came out in January, many of which are from forthcoming albums. Stream the entire think at the embedded link below, and read up on each track below that. Thanks for listening and reading!
Permanently-disaffected mumblecore rapper Milo (aka Rory Ferreira) kicked off his new EP Things That Happen At Day with an uncharacteristically hopeful cut that seems to promote self-acceptance even in the face of an unwelcoming world. On “Sweet Chin Music,” Milo waxes poetic about his love for pro wrestling, Delta Force 3, and “egg fried rice and fruits,” occasionally dipping out of his distinctive monotone and into a sumptuous half-sing. He reminds himself, rather soothingly, that he “[doesn’t] feel the need to be the best thing ever.” That self-awareness is not entirely anomalous within Milo’s body of work, but it does stand in stark contrast to the material on his darker accompanying EP, Things That Happen At Night. Pick up both of the records at the HellFyre Club bandcamp page.
2. A$AP Rocky - “Long Live A$AP”
Unlike the lyrically-focused and DIY-motivated Milo, Harlem rapper A$AP Rocky bases almost the entirety of his appeal on image and aesthetic. Frankly, the extremity of this image is what makes Rocky such an interesting figure; he is very much a mirror of rap’s fascinatingly narcissistic cutting edge. “Long Live A$AP” is the title track from his major label debut, a triumphantly hi-fi explosion of a record that manages to say absolutely nothing substantial in the best way possible. The song itself is representative of Long.Live.A$AP as a whole, presenting Rocky as the 2013’s greatest hip-hop paradox. He is, at once, a youthful legend, a geographically-transcendent New Yorker, an underground sellout, and a deeply insecure popular kid, both as self-conscious and self-obsessed as only a true narcissist can be. It’s not conceit if you’re right, and Rocky forces us to wonder just how right he may be. Pick up Long.Live.A$AP via iTunes.
3. Beach Fossils - “Generational Synthetic”
With their forthcoming LP Clash The Truth, Beach Fossils are poised to once again usurp the throne of Brooklyn’s guitar pop scene from their overrated labelmates DIIV, who are led by former Beach Fossils member Zachary Cole Smith. Beach Fossils might not have DIIV’s marketably nihilistic look or vague conceptual coherence, but they make up for it in song quality. “Generational Synthetic” toes the line between pop and punk, and although the singer doesn’t lyrically commit himself like a true punk frontman, there’s enough grit to rock out to. Clash The Truth is out February 19th via Captured Tracks.
4. Bleeding Rainbow - “Pink Ruff”
One part shoegaze, one part noise pop, and one part sugary female vocals, Philadelphia’s Bleeding Rainbow are a delectable duo with a lot of potential. Formerly called Reading Rainbow, the band had to change their name in lieu of a potential lawsuit from PBS, but the name change shouldn’t do much to stop them from winning over your heart. Fans of Dum Dum Girls should enjoy “Pink Ruff,” off their latest LP Yeah Right, for its subtle juxtaposition of garage-rocking minor key power chords and infectious pop melodies. Pick up Yeah Right via Kanine Records now.
5. Iceage - “Coalition”
Iceage’s sophomore LP You’re Nothing leaked well in advance of its release, but if you haven’t gotten on the bandwagon yet, now is the time. Lead single “Coalition” is probably poised to be the consensus standout track on the new record from these Danish, mostly teenage punks, and for good reason. In just over two minutes, the band reaches peak levels of catharsis, thrashing about with dualing guitars and cymbals blaring while frontman Elias Rønnenfelt drags himself out of his usual nihilistic apathy and lashes out in an impressively vigorous display of energy. Like the best moments of their last LP New Brigade, “Coalition” is also deceptively catchy, but this track manages to accomodate aggression and pop sensibility in nearly equal measure. You’re Nothing is out February 19th via Matador.
6. Comadre - “Hack”
The best description I’ve heard of Comadre’s aesthetic is that they “graduated from the Fucked Up school of yelling over what is essentially straight up indie rock.” It’s a true description, but the comparison to Fucked Up ends there; unlike their Canadian contemporaries, this Californian punk group doesn’t seem to take themselves so seriously. Their sound benefits from this looseness, allowing them to experiment with sounds and themes that are generally considered ‘outside’ of the realm of punk. On “Hack,” from their new self-titled record, the vocals are as throat-shreddingly aggressive as anything, but the instrumentals contrast starkly, blending shoegazy guitars with a theremin-reminiscent organ patch. Pick up Comadre via Vitriol Records.
7. Junip - “Line of Fire”
Although I’ve grown increasingly apprehensive about listening to sad singer/songwriters playing solo with acoustic guitars over the past few years, I think I’ll always appreciate the presence of a great songwriter singing over full band instrumentation. For this reason, I like Jose Gonzales’ group Junip more than his solo material, although I appreciate the precedent that he set on his own. Though a great song in its own right, “Line Of Fire” just benefits tremendously from the added texture and energy of the synths, drums, and backing harmonies; they actually make Gonzales’ signature Spanish guitar sound even better. Junip’s self-titled LP is out April 23rd via Mute.
8. Unknown Mortal Orchestra - “So Good At Being In Trouble”
This single from Unknown Mortal Orchestra’s sophomore LP (creatively titled II) is deceptively, subtly infectious. Stripping away some of the more psychedelic aspects of their sound, the group took a decidedly low-key approach on “So Good At Being In Trouble,” an analog R&B jam that harks back to the more soothing, gentler side of 70’s Northern Soul. With an earworm chorus and an arsenal of effects pedals at their disposal, Unknown Mortal Orchestra could have easily turned this cut into an anthemic, festival-ready banger, but they didn’t; this restraint is admirable, even though part of me would like to hear them rock out on this track. II is out now on Jagjaguwar.
9. Yo La Tengo - “I’ll Be Around”
New Jersey stalwarts Yo La Tengo may be the most dependable band in indie rock. Until the release of their new LP Fade, I was hesitant to fully commit myself as a fan, but it’s hard to deny the appeal of their genre-sweeping aesthetic on this record. Fade veers, calmly and tactfully, from the psychedelic heft of “Ohm” to the horn-laden grace of closer “Before We Run,” stopping briefly to catch its breath on tracks like the lovely, gentle “I’ll Be Around.” It’s a mostly acoustic piece with subtle inflections of modulated keyboard — the perfect aesthetic for a great romantic mixtape. It’s a respite on the record, but a highlight in its own right as well. Pick up Fade via Matador Records.
10. Christopher Owens - “Part Of Me (Lysandre’s Epilogue)”
I’ve said it before and I’ll say it again: I actually like Christopher Owens debut solo album Lysandre quite a bit more than some of Girls’ material. Girls’ records had the ambition and aesthetic prescience, but Lysandre has the heart. As evidence, look no further than the highlight closing track “Part Of Me (Lysandre’s Epilogue),” a heartbreakingly bittersweet Dylanesque anthem that subverts the guitars and harmonica of “I Want You” into something entirely personal to Owens and yet entirely relatable to us. As a songwriter, Owens’ greatest strength has always been forging this balance, and that above all is what comes through on Lysandre.
Stream the whole mix HERE via 8track. Thanks for listening and reading, and have a great February!
Left of the Dial Radio Playlist - 1/25/13
Thanks to those of you who tuned in to last night’s broadcast of Left of the Dial. It honestly felt like one of the best shows I’ve had in a long time in terms of playlist quality; maybe this whole ‘losing all the music on my harddrive and rebuilding from scratch’ thing is paying off. Check out the full playlist below and stream the available tracks via Spotify at the embedded link at the bottom. As always, be sure to tune in again next Friday from 6 to 8 PM.
- 1. Hymie’s Basement - “21st Century Pop Song”
- 2. The Dismemberment Plan - “The City”
- 3. Broken Social Scene - “Almost Crimes” (Radio Kills remix)
- 4. Bleeding Rainbow - “Pink Ruff”
- 5. Television - “Venus”
- 6. Hallelujah The Hills - “Get Me In A Room”
- 7. Unknown Mortal Orchestra - “So Good At Being In Trouble”
- 8. Sidewalk Dave - “Cayenne”
- 9. Titus Andronicus - “Upon Viewing Oregon’s Landscape With The Flood of Detritus”
- 10. Suns - “Be Good Boy”
- 11. Iceage - “Coalition”
- 12. X - “We’re Desperate”
- 13. Pylon - “Crazy”
- 14. Rilo Kiley - “Portions For Foxes”
- 15. Screaming Females - “Poison Arrow”
- 16. Ducktails - “Ivy Covered House”
- 17. Marti Jones - “The Element Within Her” (Elvis Costello cover)
- 18. My Bloody Valentine - “When You Sleep”
- 19. Purity Ring - “Grandloves”
- 20. Eskmo - “We Are All Terrestrial”
- 21. Nosaj Thing - “Home”
- 22. Small Black - “Photojournalist”
- 23. Waxahatchee - “Peace and Quiet”
- 24. Wye Oak - “Civilian”
- 25. Comadre - “Hack”
- 26. Black Moth Super Rainbow - “Windshield Smasher”
- 27. The Magnetic Fields - “Strange Powers”
- 28. Grouper - “Living Room”
Stream via Spotify: