LOCALS ANNOUNCED for Sandy Alex G on 10/6 at UANC- North Haven, CT
Opening the bill will be Loner Chic, Milkshakes, and Spillway!
RSVP on Facebook!
More Info: http://thearcagency.org/
We are playing this great show next month! Excited to play with Alex G again.
n0 h0pe kids is good for connecticut
This is a great watch if you like skateboarding and VHS footage of New Haven from the ’90s.
Listen/purchase: EP by Cop
Local boys kicking ass.
I watched as the heavens fell to the dirt
VERDIGRLS - “Feeling Nervous”
Hey if you guys could reblog my new Verdigrls single that would be great because internet is great because if you share something it spreads like a disease so let’s make this the black plague (it will probs only be a weak stomach virus).
New Full Length “Pale Blue Light” Now Streaming
We were going to wait but here’s to getting snowed in tonight:
If you like what you hear you can download our new album here.
As of today, I am officially a member of the Portals team. I’ll be writing album reflections for them on a regular basis. Here’s my first piece, a reflection on Ovlov's latest record Am. I was glad to be able to write about a band from my own state whom I’ve followed for some time as my first piece for the website.
Youth Lagoon - “Mute” (Music Video)
CT folks — Catch Youth Lagoon next Friday (5/8) at The Space in Hamden. Here’s the video for “Mute,” one of the better tracks on their dense new LP Wondrous Bughouse. More info below via Manic Productions:
The Youth Lagoon concert at The Space is only a week away and we’re really excited!!!
Due to popular demand, the show is now ALL AGES, so be sure to get your tickets if you haven’t already!
Now that I’m back from Bulldog Days, it’s time to get down to business. Here’s a flier I made for my band’s next show, which might be my most anticipated show I’ve ever had the opportunity to be a part of. If you’re in the Connecticut area, please come out. The Space might be the most intimate venue that Titus Andronicus and the So So Glos are playing on this tour, and neither band will disappoint live. Also, you get to see my full band play, which may or may not be a plus.
MORE INFO HERE
PREMIERE: Milkshakes - “Distant”
I’m happy to announce the exclusive premiere of a new track from the Connecticut punk band Milkshakes, one of my favorite local acts and a group whom I consider very close friends of mine. This song, entitled “Distant,” will appear on their imminently forthcoming 4-song EP Exactly Where I Need To Be. Some readers may recall that I had this group perform an acoustic set and interview on my radio show last August. Admittedly, when one has friends in the music scene, it’s often hard to think critically and be impartial when appreciating their music. Make no mistake, however; my love for this band’s music has little to do with my love for them as people.
Many times I have seen this group play in basements and DIY spaces across the state, always conveying an unassuming self-effacement that stands in marked contrast with the quality and intensity of their performance. With mature grit and experiential vigor, this mostly-teenaged band sells their brand of emo-stained pop punk terrifically in their live shows, and on “Distant,” they come closer than ever to capturing that unfiltered angst in a studio setting.
In its 3-minute running time, “Distant” oscillates between the crunchy power chord punk of their excellent 2012 split with Wisdom Teeth, and a new, previously unexplored solemnity. It’s as catchy as anything on that split, but there’s an element of maturity present on this recording that wasn’t there in the scrappiness of those three tracks. When frontman Tim Diltz sings “I’m not waiting around for you” towards the end of the track, there is a knowing acceptance in his unexpectedly fragile voice, like a pat on the back from a best friend. His lyrics may be simple, but the sentiment that they express is profound and universal. As the rest of the band lurches behind him, guitars blazing, the listener can feel an overwhelming internal conflict expressed outwardly. This kind of translation is what punk has always been the best at accomplishing in comparison to other genres, and Milkshakes validate that notion with this track.
Exactly Where I Need To Be Tracklist:
- 1. Distant
- 2. Snow
- 3. Bleed Out
- 4. The Boy With the Wagon Tattoo
Stream: Giles Corey - Live In The Middle Of Nowhere (2013)
Here’s a nice surprise— it turns out that Giles Corey recorded his set at the Enemies List Home Recordings warehouse in Meriden, Connecticut on 2/25, which I got to witness firsthand. This was the last show on his recent mini-tour, and in his own words, “probably the best of the three dates.” The recording is unedited and uncut— one continuous 54 minute recording featuring eight terrific songs along with Barrett’s commentary.
I wrote a glowing review of the show the night after, and listening to the recording now, I am reminded of just how special it was. Dan Barrett’s music is truly some powerful stuff. Read my full review HERE and stream/download Giles Corey’s new live album above via bandcamp.
I’m also happy to announce that I’m going to be working with Dan in the near future to have him on my radio show Left of the Dial on WNHU for an acoustic Giles Corey performance and interview. I’m very excited at the prospect of having him on my show, as I’m sure some of my followers are.
Live In The Middle Of Nowhere tracklist:
- 1. “Blackest Bile”
- 2. “Grave Filled With Books”
- 3. “Guilt Is My Boyfriend”
- 4. “The Icon And the Axe” (Have A Nice Life)
- 5. “Deep, Deep” (Have A Nice Life)
- 6. “Earthmover” (Have A Nice Life)
- 7. “Wounded Wolf”
- 8. “Spectral Bride”
GILES COREY live at Enemies List Home Recordings Warehouse. Meriden CT. 2/25/13
In press photos for his solo project Giles Corey, Connecticut singer/songwriter Dan Barrett can be seen wearing a Voor’s Head Device, a mysterious burlap hood with ties to the conceptual roots of his ghostly folk music. Similarly, earlier photos of his renowned shoegaze band Have A Nice Life often feature him covering his face or obscuring himself with foliage. Based on the way that he presents himself, both on the internet and in the mysterious writings that accompany a number of his musical releases, it would appear that there is a disconnect between Dan Barrett the mysterious, ostensibly suicidal genius, and Dan Barrett the regular human being from Connecticut. This disconnect made itself almost shockingly evident last night, when Giles Corey put on a show at a certain warehouse space in Meriden, out of which Dan and his friends run their modest, cult-followed record label Enemies List Home Recordings.
On the facebook event page, the performance was billed less as a show than as a “house party where some guys play depressing music,” establishing a relatively lighthearted tone for Barrett and Co., who have run Enemies List since 2005. When I arrived, the twenty or so people present were sitting on couches, speaking in hushed tones as ambient folk played over the PA. Enemies List veteran Planning For Burial opened the show with a fittingly harrowing solo performance, incorporating a hearty helping of drone and shoegaze into his act. I didn’t manage to catch the entirety of his performance, but the small amount that I did witness was intriguing to say the least.
Tucked away on the second floor of a massive industrial warehouse, the small room in which the show took place seemed to be the only one not whitewashed by garish industrial lights. Throughout the night, Barrett lurked in the ample shadows of the eerily isolated room, trading words with fans and friends and occasionally selling one of his winkingly self-aware “No Fun. Not Ever.” t-shirts. I wasn’t sure what to make of him or whether I should approach him before his set, but as the night wore on, Barrett’s human side quickly revealed itself. As recent ELHR-signee I Do Not Love worked his way through a shaky and frustratingly amateurish set, Barrett was there by his side the whole time, offering words of encouragement and resounding applause after every song. It was heartwarming to see someone so invested in his work and so trusting in those with whom he associates; I couldn’t help but feel inspired to start my own independent label after witnessing Barrett adopt this remarkable paternal role.
When he took the stage afterwards, Barrett displayed humility and candor that belied his remarkable abilities as a musician. He spoke about how privileged he felt to work with such talented musicians at ELHR and how happy he was that people cared enough about his music to come out to a show of his, especially since he plays live so infrequently. Frankly, his onstage demeanor stood in stark contrast to that of another certain singer/songwriter whom I saw recently, and given that they both performed solo, acoustically, and in a relatively relaxed setting, I could not help but make the comparison as I listened to Barrett perform last night. One thing is certain; both he and Mangum are consummately brilliant musicians capable of creating profound beauty from relatively humble means.
In contrast to Planning For Burial’s pedalboard, a shoegazer’s wet dream, Giles Corey’s setup was considerably less grand but no less effective. Barrett performed with a simple footswitch that activated the reverb and overdrive on his amplifier, through which he ran a black Takamine acoustic guitar. As soon as he began each song, all of which seemed nearly equal in their ability to rend hearts and procure tears, the unexpectedly jovial and easygoing side of Barrett that he displayed offstage faded away abuptly. When he entered his mysterious, dark, performing mode, the results were nothing short of bone-chilling. Setlist opener “Blackest Bile” hummed along in desperate resignation, while “Grave Filled With Books” — apparently adapted at the request of Barrett’s wife Thao — took on the 6:8 pulse of a mournful 1950’s slow jam. On the heels of the release of his new EP Hinterkaifeck, Giles Corey performed two tracks from that album, including the surprisingly heavy, overdriven “Guilt Is My Boyfriend,” which could have easily been a Have A Nice Life song 5 years ago.
Although rumors of a new HANL album have been circulating for the past year, I have yet to hear anything concrete; that said, when Barrett performed a handful of tracks by his old band last night, I could definitely feel that his spirit was still present in them. Unfortunately, without the post-punk backbeat of the Deathconsciousness version, “Deep, Deep” lacked persistence. Similarly, his performance of Deathconsciousness closer “Earthmover” could not come close to capturing the truly earth-shaking heft of the original. That said, his version of HANL’s “The Icon and The Axe” — a studio recording of which he released on Enemies List’s 2011 Christmas album — had just the right mix of tempered grit and emotive folk gentleness. That performance was a particular highlight, along with his closing play-through of “Spectral Bride” (my 11th favorite song of 2011). Before introducing his final song, Barrett took a moment to humorously gripe about bands that leave the stage at the end of a show, knowing that in a few minutes they will come back out and play an encore. Barrett did not give in to this conceit, even though his performance was more deserving of an encore than almost any such bands that I’ve seen. Perhaps this is where the two sides of Dan Barrett find common ground; neither his personality nor his music (aside, perhaps, from his Deconstructionist EP…) display any unnecessary pretense. As unflinchingly honest as his music is breathtaking, I hope to see Dan Barrett continuing with this for a very long time.
Giles Corey Setlist - 2/24/13
- 1. “Blackest Bile”
- 2. “Grave Filled With Books”
- 3. “Guilt Is My Boyfriend”
- 4. “The Icon and the Axe”
- 5. “Deep, Deep”
- 6. “Earthmover”
- 7. “Wounded Wolf”
- 8. “Spectral Bride”